SR:009
Toxic Daguerreotyopes: Steve Law
Format: MP3/OGG
Release date: 09/05
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This EP net release from Steve Law contains a selection of largely improvised pieces, using prepared electronic audio files and analogue synthesisers.
Microvoid 1 was recorded using a micro-controller designed and programmed by Alistair Riddell. I was using this (controlling a Kurzweil K2500 module) for a performance at the first Articulating Space event at Footscray Community Arts Centre in March 2001. This piece was recorded the day after the performance, using some of the same sound source material (including some samples of OsCar sounds provided by Andrew Belcher)."
"Concentration City was one of the first recordings I did using the Ableton Live software, through which the ARP 2600 synth was also processed live.
The remaining two pieces were recorded this year - Toxious Nanoworm also centred around ARP 2600 (processed digitally in real time).
The sleeve photo was taken at Lakefield National Park (12 mile waterhole), Cape York Peninsula (QLD) in May 2005. Steve Law
Listen/Download
01 - mp3 / ogg | Interdigitation
Steve Law: laptop, crickets (Cape Tribulation), processed guitar
Andrew Belcher: additional field recordings
Recorded March 2005
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.1 Australia License.
02 - mp3 / ogg | Concentration City
Steve Law: laptop, Kurzweil K2500, ARP 2600
Recorded January 2004
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.1 Australia License.
03 - mp3 / ogg | Toxious Nanoworm
Steve Law: laptop, ARP 2600
Recorded August 2005
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.1 Australia License.
04 - mp3 / ogg | Microvoid 1
Steve Law: Kurzweil K2500, AMR micro-controller
Andrew Belcher: OsCar sounds
Recorded April 2001
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.1 Australia License.
Comments
yes, trying to work with a license that doesn't offend APRA, that can still work within their framework. although, that said, it appears it doesn't take much to offend APRA when it comes to CC.
interesting textures & soundscapes, Steve. I enjoyed it.











getting it now.. found this on the aus noise group and looking forward to hearing it..
interesting choice of creative commons...
+=haZy